Watching The Devil's Sword is like witnessing every 11 year old American male's dreams violently blast through their cerebral cortex and onto a nearby screen, presuming one can see through the skull fragments. It's as if I sifted through Haim Saban's dumpster to discover a lost Power Rangers episode deemed "just too much" by some phantasmagorical censor board who washed their skeletal hands of any involvement or knowledge of this treasure's existence. This is "cool" adult-fantasy as defined by a child's mind, yet somehow produced for a wide audience in Indonesia, scooped up by international studios and dubbed in English for the masses. That adults were involved in any way is baffling. How can a product like this leak through a system unless the entirety of the studio is forever trapped in a Bugsy Malone perma-adolescence?
Are you a bad enough dude to amputate your master's legs? |
There is a translucent layer of lurid sexuality smeared over the whole film, but again it is a young boy's idea of sex. The Alligator Queen's lust is insatiable, commanding all men to please her therefore controlling their minds, but sex is apparently kissing a lot while laying supine. It's all so earnest that I feel like an entire nation's concept of acceptable sex is laid out for me in this film, because that's not reductive at all right? But seriously, think back to what you thought sex was as a naive child and transpose that to celluloid.
There is a haunting familiarity in the constant fantasy-action that makes this more than a hyper-violent Ultraman episode. It seems like director Ratno Timoer saw plenty of Shaw Brothers epics (there is even the blatant pilfering of the Flying Guillotine weapon) and failed at every turn to create his own. Chang Cheh he is not, but considering the probable lack of budget he accomplishes insanity the likes of which I've rarely seen. The wannabe wu-xia wire work is laughable in the best way and the fight choreography is the worst offender of "man battles a huge circling group of baddies one at a time for some reason". Long single-take combat shots magnify every flaw but perhaps can be commended for trying? Apparently Barry Prima was a martial arts prodigy but every move is so lazily performed you can almost feel the boredom with each kick. Either that, or Indonesia has a penchant for violence in which no one tries but everyone dies. Well, I saw the Act of Killing, so maybe I shouldn't comment further.
What? |
Praise be to Mondo Macabro for releasing this gem on a fantastic dvd.